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LEADER 00000cam  2200997Mi 4500 
001    960169543 
003    OCoLC 
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020    |z9780231172806|q(hardcover ;|qalk. paper) 
020    |z023117280X|q(hardcover ;|qalk. paper) 
024 7  10.7312/jaco17280|2doi 
028 01 EB00640416|bRecorded Books 
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037    22573/ctt14d32ht|bJSTOR 
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082 04 384.8|223 
100 1  Jacobson, Brian R.,|eauthor. 
245 10 Studios before the system :|barchitecture, technology, and
       the emergence of cinematic space /|cBrian R. Jacobson 
264  1 New York :|bColumbia University Press,|c[2015] 
264  4 |c©2015 
300    1 online resource (xii, 295 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|bPDF|2rda 
490 1  Film and Culture. 
504    Includes bibliographical references and index 
505 0  Black boxes and open-air stages: film studio technology 
       and environmental control from the laboratory to the 
       rooftop -- Georges Méliès's "Glass House": cineplasticity 
       for a human-built world -- Dark studios and daylight 
       factories: building cinema in New York City -- Studio 
       factories and studio cities: Paris's Cités du Cinéma and 
       the inconsistency of modernity -- The studio beyond the 
       studio: nature, technology, and location in Southern 
       California 
520 8  By 1915, Hollywood had become the epicenter of American 
       filmmaking, with studio "dream factories" structuring its 
       vast production. Filmmakers designed Hollywood studios 
       with a distinct artistic and industrial mission in mind, 
       which in turn influenced the form, content, and business 
       of the films that were made and the impressions of the 
       people who viewed them. The first book to retell the 
       history of film studio architecture, Studios Before the 
       System expands the social and cultural footprint of 
       cinema's virtual worlds and their contribution to wider 
       developments in global technology and urban modernism. 
       Focusing on six significant early film corporations in the
       United States and France—the Edison Manufacturing 
       Company, American Mutoscope and Biograph, American 
       Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé
       Frères—as well as smaller producers and film 
       companies, Studios Before the System describes how 
       filmmakers first envisioned the space they needed and then
       sourced modern materials to create novel film worlds. 
       Artificially reproducing the natural environment, film 
       studios helped usher in the world's Second Industrial 
       Revolution and what Lewis Mumford would later call the 
       "specific art of the machine." From housing workshops for 
       set, prop, and costume design to dressing rooms and 
       writing departments, studio architecture was always 
       present though rarely visible to the average spectator in 
       the twentieth century, providing the scaffolding under 
       which culture, film aesthetics, and our relation to lived 
       space took shape 
520    "By 1915, Hollywood had become the epicenter of American 
       filmmaking, with studio "dream factories" structuring its 
       vast production. Filmmakers designed Hollywood studios 
       with a distinct artistic and industrial mission in mind, 
       which in turn influenced the form, content, and business 
       of the films that were made and the impressions of the 
       people who viewed them. The first book to retell the 
       history of film studio architecture, Studios Before the 
       System expands the social and cultural footprint of 
       cinema's virtual worlds and their contribution to wider 
       developments in global technology and urban modernism. 
546    In English. 
588    Description based on print version record 
590    JOHN CARROLL: JSTOR|bBooks at JSTOR Evidence Based 
       Acquisitions 
650  0 Motion picture studios|zUnited States|xHistory|y20th 
       century. 
650  0 Motion picture industry|xHistory|y20th century. 
655  0 Electronic books. 
655  7 History.|2fast|0(OCoLC)fst01411628 
776 08 |iPrint version:|aJacobson, Brian R.|tStudios before the 
       system.|dNew York : Columbia University Press, [2015]
       |z9780231172806|w(DLC)  2015007610|w(OCoLC)904715516 
830  0 Film and culture. 
956 40 |uhttp://proxy.opal-libraries.org/login?url=http://
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