Originally presented as the author's thesis (doctoral)--University of North Carolina at Chapel Hill, 1998.
Includes bibliographical references (pages 163-179) and index.
Introduction, The blood and bones of modernism -- "There is a difference between prose and poetry" : the Russian Revolution in the Liberator -- Our country : mapping "these 'colored' United States" in the Messenger -- "You can't go back, they'll cut your throat" : the failure of nostalgia in the Dial -- The exodus of the Little review -- "Beauty in our slaughter-fold" : the Gold-McKay Liberator -- Conclusion, "So interesting and modern ... her gesticulating hands show her origin."
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