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LEADER 00000cam 2200877Mi 4500
001 812251490
003 OCoLC
005 20180309083005.4
006 m o d
007 cr |n|||||||||
008 120514s2012 gw ob 001 0 eng d
019 812574275|a817224562|a817816818|a961557003|a962690187
|a966259714|a988412530|a991963451|a994551547
020 9783110283815|q(Cloth)
020 3110283816|q(Cloth)
020 9783110283860|q(electronic bk.)
020 3110283867|q(electronic bk.)
020 1283628163
020 9781283628167
024 8 9786613940612
035 (OCoLC)812251490|z(OCoLC)812574275|z(OCoLC)817224562
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049 OXBE
050 4 PA6445.H35|bA737 2012eb
072 7 POE|x008000|2bisacsh
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082 04 871/.01|223
100 1 Rondholz, Anke.|0http://id.loc.gov/authorities/names/
no2012066718
245 14 The versatile needle :|bHosidius Geta's cento "Medea" and
its tradition /|cAnke Rondholz.
264 1 Berlin :|bDe Gruyter,|c2012.
300 1 online resource (pages . cm).
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|2rdaft|0http://rdaregistry.info/termList/
fileType/1002
490 1 Trends in classics. Supplementary volumes ;|vBd. 15
504 Includes bibliographical references (pages 155-161)-and
indexes.
505 0 Prolegomena; 1 Origin and Development of the Cento; 1.1
The Greek Cento; 1.1.1 Precursors of the Greek Cento:
Rhapsody and Pastiche; 1.1.2 The Beginnings; 1.2 The Latin
Cento; 1.3 Summary; 2 What is a Cento?; 2.1 Technique; 2.2
Original context; 2.3 The Establishment of the Primary
Text; 2.4 Why Write a Cento?; 2.5 The Ancient Vergilian
Centos: A Brief Overview; 2.6 Summary; 3 Hosidius Geta,
Medea: an Introduction; 3.1 Geta's Medea : The Latin Text;
3.2 The Plot; 3.3 Transmission; 3.4 The Author; 4 Hosidius
Geta's Medea : Form and Technique; 4.1 Meter.
505 8 4.2 "Cheating" -- Changing the Vergilian Text4.3
Reinterpreting the Primary Text Semantically and
Grammatically; 4.4 Summary; 5 The Relationship Between
Cento and Primary Text; 5.1 Prologue (1-24) / First Choral
Song (25-51); 5.2 Medea -- Creon (52-103) / Second Choral
Song (104-147); 5.3 Medea -- Nurse (148-180); 5.4 Jason --
Medea (181-283) / Third Choral Song (284-312); 5.5 The
Messenger's Report (313-373); 5.6 Medea -- Nurse (374-381)
/ Infanticide Scene (382-407); 5.7 The Final Scene:
Medea's Departure (408-461); 5.8 Summary; 6 Hosidius
Geta's Place in the Medea Tradition.
505 8 6.1 Verbal Allusions6.2 Alexandrian Footnotes; 6.3
Imitatio and Aemulatio: Innovations in Geta's Play; 6.4
Conclusion; Bibliography; Indices.
520 Thecento-tragedy Medea usually attributed to Hosidius Geta
was transmitted in the Codex Salmasianus (now Codex
Parisinus 10318). This is a comprehensive study and
reevaluation of the text against the background of the
ancient cento tradition, also providing a new English
translation. After developing a new definition of the
ancient conception of the cento in general, Geta's cento
technique and his use of the Vergilian text as well as his
relation to theGreek and Roman models for his Medea are
examined. Itis shown that his play is innovative and
sophisticated inboth technique and content.
546 English.
588 0 Print version record.
600 00 Hosidius Geta.|tMedea.|0http://id.loc.gov/authorities/
names/n84059590
650 0 Latin literature|xHistory and criticism.|0http://
id.loc.gov/authorities/subjects/sh2008106708
655 4 Electronic books.
655 7 Criticism, interpretation, etc.|2fast|0http://
id.worldcat.org/fast/1411635
776 08 |iPrint version:|z9786613940612|w(DLC) 2012019619
830 0 Trends in classics.|pSupplementary volumes ;|0http://
id.loc.gov/authorities/names/no2008091403|vBd. 15.
956 40 |uhttp://proxy.opal-libraries.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=494197|zView online
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