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| LOCATION | CALL # | STATUS | MESSAGE |
|---|---|---|---|
| MUSKINGUM STACKS | NK1520 .C76 | AVAILABLE |
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| LOCATION | CALL # | STATUS | MESSAGE |
|---|---|---|---|
| MUSKINGUM STACKS | NK1520 .C76 | AVAILABLE |
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| Table of Contents | ||||||
|---|---|---|---|---|---|---|
| List of figures | ||||||
| Acknowledgements | ||||||
| General editor's foreword | ||||||
| Introduction | ||||||
| Psychological responses to design | 1 | |||||
| Psychological explanations | 5 | |||||
| 1 | Nature or culture? | |||||
| Biological explanations | 14 | |||||
| Preferences for landscape | 16 | |||||
| Personal spaces | 25 | |||||
| 2 | Form and design | |||||
| Formal laws of beauty | 40 | |||||
| The good gestalt | 48 | |||||
| Complexity and familiarity: Berlyne's theory | 60 | |||||
| 3 | Meaning and design | |||||
| Meaning and emotion | 78 | |||||
| The unconscious meanings of objects | 86 | |||||
| The classification of meanings | 96 | |||||
| Objects as symbols of the self | 104 | |||||
| 4 | Function and design | |||||
| Ergonomics and the effectiveness of design | 116 | |||||
| Making sense of visual displays | 120 | |||||
| Communicating with the computer | 134 | |||||
| 5 | Form, meaning, function | |||||
| Colour | 143 | |||||
| Multi-modal perception | 154 | |||||
| Form, meaning and function | 159 | |||||
| References | 167 | |||||
| Index | 176 | |||||
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