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LEADER 00000cam  2200541Ii 4500 
001    974372703 
003    OCoLC 
005    20181123055102.8 
006    m     o  d         
007    cr cnu---unuuu 
008    170302s2016    enk     ob    001 0 eng d 
019    974443209|a974546284|a974684992|a981819144 
020    9781137518323|q(electronic bk.) 
020    1137518324|q(electronic bk.) 
020    |z9781137518316 
020    |z1137518316 
024 7  10.1057/978-1-137-51832-3|2doi 
035    (OCoLC)974372703|z(OCoLC)974443209|z(OCoLC)974546284
037    com.springer.onix.9781137518323|bSpringer Nature 
040    N$T|beng|erda|epn|cN$T|dN$T|dYDX|dUAB|dOCLCF|dVT2|dIOG
049    MAIN 
050  4 PN57.D4 
072  7 ART|x025000|2bisacsh 
072  7 ART|x060000|2bisacsh 
082 04 700/.4820216|223 
100 1  Tambling, Jeremy,|0
245 10 Histories of the devil :|bfrom Marlowe to Mann and the 
       Manichees /|cJeremy Tambling. 
246 30 From Marlowe to Mann and the Manichees 
264  1 London :|bPalgrave Macmillan,|c2016. 
300    1 online resource (320 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc|0
347    text file|2rdaft|0
504    Includes bibliographical references and index. 
505 0  Introduction: Literature and Manicheeism -- Chapter 1: 
       'The Tempter or the Tempted, Who Sins Most?' -- Chapter 2:
       Medieval and Early Modern Devils: Names and Images -- 
       Chapter 3: From Carnival to King Lear: Ships, Dogs, Fools,
       and the Picaro -- Chapter 4: Fallen Fire: Job, Milton, and
       Blake -- Chapter 5: Masks, Doubles, and Nihilism -- 
       Chapter 6: Goethe: Faust and Modernity -- Chapter 7: 
       Dostoevsky: Murder and Suicide -- Chapter 8: Bulgakov, 
       Mann, Adorno, and Rushdie. 
520 8  This book is about representations of the devil in English
       and European literature. Tracing the fascination in 
       literature, philosophy, and theology with the irreducible 
       presence of what may be called evil, or comedy, or the 
       carnivalesque, this book surveys the parts played by the 
       devil in the texts derived from the Faustus legend, looks 
       at Marlowe and Shakespeare, Rabelais, Milton, Blake, 
       Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and 
       Mann, historically, speculatively, and from the standpoint
       of critical theory. It asks: Is there a single meaning to 
       be assigned to the idea of the diabolical? What value lies
       in thinking diabolically? Is it still the definition of a 
       good poet to be of the devil's party, as Blake argued? 
588 0  Print version record. 
650  0 Devil in literature.|0
655  4 Electronic books. 
776 08 |iPrint version:|aTambling, Jeremy.|tHistories of the 
       devil. From Marlowe to Mann and the Manichees.
       |dBasingstoke : Palgrave MacMillan 2016|z9781137518316
990    SpringerLink|bSpringer English/International eBooks 2016 -
       Full Set|c2018-11-23|yMaster record variable field(s) 
       change: 650|5OH1 
990    SpringerLink|bSpringer English/International eBooks 2016 -
       Full Set|c2018-10-31|yNew collection 
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