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LEADER 00000cam  2200553Ii 4500 
001    1007520844 
003    OCoLC 
005    20181116042206.5 
006    m     o  d         
007    cr cnu|||unuuu 
008    171025s2017    sz      ob    001 0 eng d 
019    1007845454 
020    9783319626772|q(electronic bk.) 
020    3319626779|q(electronic bk.) 
020    |z9783319626765 
020    |z3319626760 
035    (OCoLC)1007520844|z(OCoLC)1007845454 
040    N$T|beng|erda|epn|cN$T|dN$T|dYDX|dUAB|dAZU|dIOG|dCSAIL
049    MAIN 
050  4 PN1999.W27 
072  7 TEC|x041000|2bisacsh 
072  7 BUS|x070060|2bisacsh 
082 04 384.806579493|223 
100 1  Zornado, Joseph L.,|0
245 10 Disney and the dialectic of desire :|bfantasy as social 
       practice /|cJoseph Zornado. 
264  1 Cham, Switzerland :|bPalgrave Macmillan,|c[2017] 
264  4 |c2017 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc|0
347    text file|2rdaft|0
504    Includes bibliographical references and index. 
505 0  1. Introduction: What is Fantasy? -- 2. Chapter Two: 
       Capital, Crisis and the Rise of Disney Fantasy.- 3. 
       Chapter Three: Walt Disney, Snow White, and Trauma of the 
       Real -- 4. Chapter Four: Disney Fantasy as the Discourse 
       of the Other -- 5. Chapter Five: Disneyland and the 
       Perversity of Disney Fantasy -- 6. Chapter Six: Disney, 
       Pixar, and Neoliberal Nostalgia -- 7. Chapter Seven: 
       Conclusion: The Empire Expands: Star Wars as Disney 
520    This book analyzes Walt Disney's impact on entertainment, 
       new media, and consumer culture in terms of a materialist,
       psychoanalytic approach to fantasy. The study opens with a
       taxonomy of narrative fantasy along with a discussion of 
       fantasy as a key concept within psychoanalytic discourse. 
       Zornado reads Disney's full-length animated features of 
       the "golden era" as symbolic responses to cultural and 
       personal catastrophe, and presents Disneyland as a 
       monument to Disney fantasy and one man's singular, 
       perverse desire. What follows after is a discussion of the
       "second golden age" of Disney and the rise of Pixar 
       Animation as neoliberal nostalgia in crisis. The study 
       ends with a reading of George Lucas as latter-day Disney 
       and Star Wars as Disney fantasy. This study should appeal 
       to film and media studies college undergraduates, 
       graduates students and scholars interested in Disney. 
588 0  Online resource; title from PDF title page (EBSCO, viewed 
       October 26, 2017). 
610 20 Walt Disney Company|0
       n86012698|xSocial aspects.|0
610 20 Disney Enterprises (1996- )|0
       /names/n2002022276|xSocial aspects.|0
650  0 Fantasy|0
       |xSocial aspects.|0
650  0 Disney characters|0
       sh96002355|xSocial aspects.|0
655  4 Electronic books. 
776 08 |iPrint version:|aZornado, Joseph L.|tDisney and the 
       dialectic of desire.|dCham, Switzerland : Palgrave 
       Macmillan, [2017]|z9783319626765|z3319626760
990    SpringerLink|bSpringer English/International eBooks 2017 -
       Full Set|c2018-11-16|yMaster record variable field(s) 
       change: 505, 650, 776|5OH1 
990    SpringerLink|bSpringer English/International eBooks 2017 -
       Full Set|c2018-10-31|yNew collection 
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