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Title Transnational encounters : music and performance at the U.S.-Mexico border / edited by Alejandro L. Madrid.
Imprint New York : Oxford University Press, 2011.

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Series ACLS Fellows' publications.
ACLS Humanities E-Book (Series)
Subject Popular music -- Mexican-American Border Region -- History and criticism.
Folk music -- Mexican-American Border Region -- History and criticism.
Music -- Social aspects -- Mexican-American Border Region.
Music.
Alt Name Madrid, Alejandro L.,
Description 1 online resource (xvi, 406 pages) : illustrations, maps
Bibliography Note Includes bibliographical references and index.
Contents Border meanings. Reggae on the border: the possibilities of a Frontera soundscape Luis Alvarez Breaking borders/quebrando fronteras: dancing in the borderscape Sydney Hutchinson Narcocorridos: narratives of a cultural persona and power on the border Mark C. Edberg Nationalisms. Mariachi reimaginings: encounters with technology, aesthetics, and identity Donald Henriques "This is our musica, guy!": Tejanos and ethno/regional musical nationalism Jose E. Limon Indigeneity and Modernity. Re-localized rap and its representation of the hombre digno Helena Simonett Waila as transnational practice Joan Titus Cultural citizenship and rights. Transnational identity, the signing of spirituals, and the performance of blackness among Moscogos Alejandro L. Madrid Transnational cultural constructions: Cumbia music and the making of locality in Monterrey Jesus A. Ramos-Kittrell Patriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival Margaret E. Dorsey and Miguel Diaz-Barriga Trans-border cosmopolitan audiotapes. The Tijuana sound: brass, blues and the border of the 1960s Josh Kun La avanzada regia: Monterrey's alternative music scene and the aesthetics of transnationalism Ignacio Corona Contested identities. New Mexico and 'Manitos at the borderlands of popular music in Greater Mexico Brenda M. Romero "Todos me llaman El Gringo": place, identity, and erasure within the New Mexico Hispano music scene Lillian Gorman Performing locality and gender. From pistol-packing pelado to border crossing mojado: El Piporro and the making of a "Mexican" border space Cathy Ragland Dancing Reggaeton with cowboy boots Ramon H. Rivera-Servera.
Summary This text explores the transnational connections that inform the large diversity of musical traditions from the US-Mexico border while keeping an eye on their powerful local significance, in an attempt to redefine notions like 'border, ' 'nation, ' 'migration, ' 'diaspora.'
Note Print version record.
ISBN 9780199876112 (electronic bk.)
0199876118 (electronic bk.)
9780199735921
0199735921
9780199735938
019973593X
OCLC # 767671062
Additional Format Print version: Transnational encounters. New York : Oxford University Press, 2011 9780199735921 (DLC) 2010054537 (OCoLC)695560230