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LEADER 00000cam  2200709 i 4500 
001    932302927 
003    OCoLC 
005    20200124043146.5 
006    m     o  d         
007    cr cnu---unuuu 
008    151214t20162016cauag   ob    001 0 eng   
010    2015049245 
019    958350037|a958778472|a959272624|a959873827 
020    9780520965317|q(electronic bk.) 
020    0520965310|q(electronic bk.) 
020    |z9780520248717|q(hardcover ;|qalkaline paper) 
035    (OCoLC)932302927|z(OCoLC)958350037|z(OCoLC)958778472
       |z(OCoLC)959272624|z(OCoLC)959873827 
037    22573/ctt1c7rx07|bJSTOR 
037    A1A49C11-BD88-4664-A0CE-0B0802145253|bOverDrive, Inc.
       |nhttp://www.overdrive.com 
040    DLC|beng|erda|epn|cDLC|dYDX|dN$T|dYDXCP|dEBLCP|dJSTOR|dWAU
       |dP@U|dIDB|dOTZ|dTEFOD|dIOG|dOCLCF|dKSU|dMERUC|dOCLCQ|dG3B
       |dIGB|dBRX|dAU@|dAGLDB|dDEGRU|dOCLCQ 
042    pcc 
043    n-us--- 
049    MAIN 
050 10 ML3918.P67|bB72 2016 
072  7 MUS|x041000|2bisacsh 
072  7 MUS049000|2bisacsh 
072  7 MUS029000|2bisacsh 
072  7 MUS020000|2bisacsh 
082 00 781.64|223 
100 1  Brackett, David,|eauthor. 
245 10 Categorizing sound :|bgenre and twentieth-century popular 
       music /|cDavid Brackett. 
264  1 Oakland, California :|bUniversity of California Press,
       |c[2016] 
264  4 |c2016 
300    1 online resource (xvi, 368 pages) :|billustrations, music
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Introduction: They never even knew -- Foreign music and 
       the emergence of phonography -- Forward to the past: race 
       music in the 1920s -- The newness of old-time music -- 
       From jazz to pop: swing in the 1940s -- The corny-ness of 
       the folk -- The dictionary of soul -- Crossover dreams: 
       from Urban cowboy to the King of Pop -- Notes toward a 
       conclusion. 
520    "Categorizing Sound addresses the relationship between 
       categories of music and categories of people: in other 
       words, how do particular ways of organizing sound become 
       integral parts of whom we perceive ourselves to be and of 
       how we feel connected to some people and disconnected from
       others? After an introduction that discusses the key 
       theoretical concepts to be deployed, Categorizing Sound 
       presents a series of case studies that range from foreign 
       music, race music, and old-time music in the 1920s up 
       through country and rhythm and blues in the 1980s. Each 
       chapter focuses not so much on the musical contents of 
       these genres as on the process of 'gentrification' through
       which these categories are produced."--Provided by 
       publisher. 
588 0  Print version record. 
650  0 Popular music genres|xSocial aspects|zUnited States. 
650  0 Popular music|zUnited States|xHistory and criticism. 
650  7 MUSIC|xInstruction & Study|xTheory.|2bisacsh 
650  7 MUSIC|xGenres & Styles|xGeneral.|2bisacsh 
650  7 Popular music.|2fast|0(OCoLC)fst01071422 
651  7 United States.|2fast|0(OCoLC)fst01204155 
776 08 |iPrint version:|aBrackett, David.|tCategorizing sound.
       |dOakland, California : University of California Press, 
       [2016]|z9780520248717|w(DLC)  2015046200|w(OCoLC)932116111
956 40 |uhttp://proxy.opal-libraries.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1244591|zView online 
990    JSTOR|bBooks at JSTOR Evidence Based Acquisitions|c2020-01
       -24|ySubsequent record output|5JCU 
990    JSTOR|bBooks at JSTOR Evidence Based Acquisitions|c2020-01
       -23|yNew collection jstor.ebookseba|5JCU 
990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America|c2019-01-11|yAdded to 
       collection netlibrary.academicna|5OHN 
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