Return to home page
Searching: Muskingum library catalog
Some OPAL libraries remain closed or are operating at reduced service levels. Materials from those libraries may not be requestable; requested items may take longer to arrive. Note that pickup procedures may differ between libraries. Please contact your library for new procedures, specific requests, or other assistance.

LEADER 00000cam  2200649Ii 4500 
001    1120116068 
003    OCoLC 
005    20200612063600.1 
006    m     o  d         
007    cr cnu---unuuu 
008    190729t20202020nyua    ob    001 0 eng d 
019    1136690454 
020    9780190056681|qelectronic book 
020    0190056681|qelectronic book 
020    9780190056674|qelectronic bk. 
020    0190056673|qelectronic bk. 
020    9780190056667|qelectronic bk. 
020    0190056665|qelectronic bk. 
020    |z9780190056650|qhardcover|qalk. paper 
020    |z0190056657|qhardcover|qalk. paper 
035    (OCoLC)1120116068|z(OCoLC)1136690454 
037    257EF05B-2F04-4406-8E03-7481C8F4A08E|bOverDrive, Inc.
       |nhttp://www.overdrive.com 
040    UKOUP|beng|erda|epn|cUKOUP|dOCLCO|dYDXIT|dOH1|dOCLCF|dYDX
       |dTOH|dN$T|dTEFOD|dCDN|dUKOBU|dIUL 
049    MAIN 
050  4 ML3470|b.S6 2020eb 
082 04 781.64|223 
100 1  Sloan, Nate,|d1986-|0http://id.loc.gov/authorities/names/
       n2019008705|eauthor. 
245 10 Switched on pop :|bhow popular music works, and why it 
       matters /|cNate Sloan and Charlie Harding ; illustration 
       by Iris Gottlieb. 
264  1 New York, NY :|bOxford University Press,|c[2020] 
264  4 |c2020. 
300    1 online resource (viii, 201 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc|0http://rdaregistry.info/termList/
       RDAColourContent/1003 
347    text file|2rdaft|0http://rdaregistry.info/termList/
       fileType/1002 
504    Includes bibliographical references and index. 
505 00 |tIntroduction : Switched on pop : Meter :|tCarly Rae 
       Jepsen-"Call me maybe" --|tY'all don't want to hear me, 
       you just want to dance :|tMeter : Outkast-"Hey ya!" --|tA 
       star's melodic signature : Melody :|tTaylor Swift-"You 
       belong with me" --|tThe harmonic hero's journey : Harmony 
       :|tFun ft. Janelle Monae-"We are young" --|tWhen the drop 
       broke the pop song : Form :|tRihanna ft. Calvin Harris-"We
       found love" --|tA voice without a face : Timbre :|tSia-
       "Chandelier" --|tPainting a musical masterpiece : Lyric :
       |tJustin Timberlake-"What goes around...comes around" --
       |tWhat makes pop so catchy : The hook :|tAriana Grande ft.
       Zedd-"Break free" --|tSometimes the truth don't rhyme : 
       Rhyme :|tDrake-"God's plan" --|tDrunk on rhythm : 
       Syncopation :|tKendrick Lamar-"Swimming pools (drank)" --
       |tMusic takes you higher : Modulation :|tBeyonce-"Love on 
       top" --|tThe performance of identity : Counterpoint :
       |tBritney Spears-"Oops!...I did it again" --|tIs collage a
       crime? : Sampling :|tM.I.A.-"Paper planes" --|tShock, awe,
       and synthesis : Sound design :|tSkrillex-"Scary monsters 
       and nice sprites" --|tFinding home in the harmonic 
       diaspora : Tonal ambiguity :|tLuis Fonsi ft. Daddy Yankee-
       "Despacito" --|tDoes pop have a sound? : Genre :|tKelly 
       Clarkson-"Since U been gone" --|tI like 
       everything...except country and hip hop : Musical identity
       :|tJay Z and Kanye West ft. Frank Ocean, Toby Keith-"Made 
       in America" --|tConclusion :|tThe past, present, and 
       future of silly little love songs :|tPaul McCartney-"Get 
       enough". 
520 8  'Switched on Pop' illuminates the essential musical 
       concepts behind two decades of chart-topping songs. The 
       text moves through close studies of 16 modern pop classics
       by artists from Beyonce to Zedd, each chapter bringing out
       key aspects of a particular song as well as introducing 
       core concepts such as rhythm, melody, harmony, form, and 
       timbre. As the work progresses, more complex concepts such
       as syncopation, counterpoint, rhyme, and modulation are 
       covered, culminating in an examination of genre, identity,
       and musical meaning. Accessible prose and engaging 
       illustrations break down pop hits and musical ideas in 
       clear, jargon-free language, and point toward a new way of
       listening to the modern soundtrack of pop. 
588    Description based on online resource; title from PDF title
       page (viewed June 9, 2020) 
650  0 Popular music|y2001-2010|0http://id.loc.gov/authorities/
       subjects/sh2001005065|xHistory and criticism.|0http://
       id.loc.gov/authorities/subjects/sh99001187 
650  0 Popular music|y2011-2020|0http://id.loc.gov/authorities/
       subjects/sh2011002283|xHistory and criticism.|0http://
       id.loc.gov/authorities/subjects/sh99001187 
650  0 Popular music|0http://id.loc.gov/authorities/subjects/
       sh85088865|xAnalysis, appreciation.|0http://id.loc.gov/
       authorities/subjects/sh2002006223 
700 1  Harding, Charlie,|d1986-|0http://id.loc.gov/authorities/
       names/n2019008707|eauthor. 
700 1  Gottlieb, Iris,|0http://id.loc.gov/authorities/names/
       n2016063384|eillustrator. 
776 08 |iPrint version:|aSloan, Nate, 1986-|tSwitched on pop.
       |dNew York, NY : Oxford University Press, [2020]
       |z9780190056650|w(DLC)  2019007775|w(OCoLC)1088670356. 
990    Oxford University Press|bOxford Scholarship Online Music
       |c2020-06-12|yMaster record variable field(s) change: 505
       |5OH1 
990    Oxford University Press|bOxford Scholarship Online Music
       |c2020-01-17|yMaster record encoding level change|5OH1 
990    Oxford University Press|bOxford Scholarship Online Music
       |c2019-11-29|yAdded to collection OUP.osoMusic|5OH1 
LOCATION CALL # STATUS MESSAGE
 OHIOLINK OXFORD EBOOKS    ONLINE  
View online

If you experience difficulty accessing or navigating this content, please contact the OPAL Support Team