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LEADER 00000cam  2200985Ii 4500 
001    922325684 
003    OCoLC 
005    20200124042531.5 
006    m     o  d         
007    cr cnu---unuuu 
008    150928s2015    ncu     ob    001 0 eng d 
019    967256368|a994353683 
020    9781469623245|q(electronic bk.) 
020    1469623242|q(electronic bk.) 
020    |z9781469622439 
020    |z1469622432 
035    (OCoLC)922325684|z(OCoLC)967256368|z(OCoLC)994353683 
037    22573/ctt14r8whs|bJSTOR 
040    N$T|beng|erda|epn|cN$T|dN$T|dOCLCO|dP@U|dJSTOR|dOCLCO
       |dYDXCP|dOCLCF|dOCLCO|dEBLCP|dSTJ|dIDEBK|dOCL|dHQD|dIDB
       |dAGLDB|dICA|dUKOUP|dXFH|dOCLCQ|dMERUC|dOCLCQ|dIOG|dEZ9
       |dD6H|dVTS|dOCLCA|dOCLCQ|dLVT|dYOU|dSTF|dM8D|dOCLCQ 
043    n-us-al|an-us-tn|an-usu-- 
049    MAIN 
050  4 ML3477 
072  7 MUS|x041000|2bisacsh 
072  7 SOC031000|2bisacsh 
072  7 MUS039000|2bisacsh 
072  7 MUS010000|2bisacsh 
082 04 781.642089/00976|223 
100 1  Hughes, Charles L.,|eauthor. 
245 10 Country soul :|bmaking music and making race in the 
       American South /|cCharles L. Hughes. 
264  1 Chapel Hill :|bUniversity of North Carolina Press,|c[2015]
264  4 |c2015 
300    1 online resource (280 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Introduction. There's a redneck in the soul band -- We 
       only had this one thing in common : we liked all types of 
       music : the birth of the country-soul triangle -- I got 
       what I got the hard way : the music and mythology of the 
       Memphis sound -- Selling soul : black music and black 
       power in Memphis -- Take the white music and make it sound
       black : the Muscle Shoals sound in the 1970s -- Pride and 
       prejudice : race and country music in the era of backlash 
       -- The south's gonna do it again : the racial politics of 
       the new southern music of the 1970s -- Disco and down home
       blues : country and soul at the end of the 1970s -- Coda. 
       On accidental racists : interracial friendship, historical
       memory, and the country-soul triangle. 
520    In the sound of the 1960s and 1970s, nothing symbolized 
       the rift between black and white America better than the 
       seemingly divided genres of country and soul. Yet the 
       music emerged from the same songwriters, musicians, and 
       producers in the recording studios of Memphis and 
       Nashville, Tennessee, and Muscle Shoals, Alabama--what 
       Charles L. Hughes calls the "country-soul triangle." In 
       legendary studios like Stax and FAME, integrated groups of
       musicians like Booker T. and the MGs and the Muscle Shoals
       Rhythm Section produced music that both challenged and 
       reconfirmed racial divisions in the United States. Working
       with artists from Aretha Franklin to Willie Nelson, these 
       musicians became crucial contributors to the era's popular
       music and internationally recognized symbols of American 
       racial politics in the turbulent years of civil rights 
       protests, Black Power, and white backlash. Hughes offers a
       provocative reinterpretation of this key moment in 
       American popular music and challenges the conventional 
       wisdom about the racial politics of southern studios and 
       the music that emerged from them. Drawing on interviews 
       and rarely used archives, Hughes brings to life the daily 
       world of session musicians, producers, and songwriters at 
       the heart of the country and soul scenes. In doing so, he 
       shows how the country-soul triangle gave birth to new ways
       of thinking about music, race, labor, and the South in 
       this pivotal period. 
546    English. 
588 0  Print version record. 
648  7 1900-1999|2fast 
650  0 Popular music|zAlabama|zMuscle Shoals|y1961-1970|xHistory 
       and criticism. 
650  0 Popular music|zTennessee|zMemphis|y1961-1970|xHistory and 
       criticism. 
650  0 Popular music|zTennessee|zNashville|y1961-1970|xHistory 
       and criticism. 
650  0 Popular music|zAlabama|zMuscle Shoals|y1971-1980|xHistory 
       and criticism. 
650  0 Popular music|zTennessee|zMemphis|y1971-1980|xHistory and 
       criticism. 
650  0 Popular music|zTennessee|zNashville|y1971-1980|xHistory 
       and criticism. 
650  0 Soul music|zAlabama|zMuscle Shoals|xHistory and criticism.
650  0 Soul music|zTennessee|zMemphis|xHistory and criticism. 
650  0 Country music|zTennessee|zNashville|xHistory and 
       criticism. 
650  0 Music and race|zSouthern States. 
650  7 MUSIC|xInstruction & Study|xTheory.|2bisacsh 
650  7 SOCIAL SCIENCE|xDiscrimination & Race Relations.|2bisacsh 
650  7 Country music.|2fast|0(OCoLC)fst00881424 
650  7 Music.|2fast|0(OCoLC)fst01030269 
650  7 Music and race.|2fast|0(OCoLC)fst01030486 
650  7 Popular music.|2fast|0(OCoLC)fst01071422 
650  7 Soul music.|2fast|0(OCoLC)fst01126930 
651  0 Muscle Shoals (Ala.)|xMusic|y20th century|xHistory and 
       criticism. 
651  0 Alabama|xMusic|y20th century|xHistory and criticism. 
651  0 Memphis (Tenn.)|xMusic|y20th century|xHistory and 
       criticism. 
651  0 Tennessee|xMusic|y20th century|xHistory and criticism. 
651  0 Nashville (Tenn.)|xMusic|y20th century|xHistory and 
       criticism. 
651  7 Alabama.|2fast|0(OCoLC)fst01204694 
651  7 Alabama|zMuscle Shoals.|2fast|0(OCoLC)fst01216813 
651  7 Southern States.|2fast|0(OCoLC)fst01244550 
651  7 Tennessee.|2fast|0(OCoLC)fst01205353 
651  7 Tennessee|zMemphis.|2fast|0(OCoLC)fst01204194 
651  7 Tennessee|zNashville.|2fast|0(OCoLC)fst01204195 
776 08 |iPrint version:|aHughes, Charles L.|tCountry Soul : 
       Making Music and Making Race in the American South
       |z9781469622439|w(OCoLC)915751464 
956 40 |uhttp://proxy.opal-libraries.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=965058|zView online 
990    JSTOR|bBooks at JSTOR Evidence Based Acquisitions|c2020-01
       -24|ySubsequent record output|5JCU 
990    JSTOR|bBooks at JSTOR Evidence Based Acquisitions|c2020-01
       -23|yNew collection jstor.ebookseba|5JCU 
990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America|c2017-10-06|yMaster record 
       variable field(s) change: 650|5OHN 
990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America|c2017-09-15|yMaster record 
       variable field(s) change: 650|5OHN 
990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America|c2017-07-28|yMaster record 
       variable field(s) change: 650|5OHN 
990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America|c2017-01-27|5OHN 

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