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LEADER 00000cam  2200613Ii 4500 
001    1088436657 
003    OCoLC 
005    20200417035836.2 
006    m     o  d         
007    cr cnu---unuuu 
008    190226t20192019enk     ob    001 0 eng d 
015    GBB912044|2bnb 
020    9781787436961|qelectronic book 
020    1787436969|qelectronic book 
020    |z9781787436978 
020    9781787439634|q(ePub ebook) 
020    1787439631 
035    (OCoLC)1088436657 
037    9781787439634|bEmerald Publishing 
040    N$T|beng|erda|epn|cN$T|dN$T|dYDXIT|dUKMGB|dUKAHL|dOCLCF
043    e-bu--- 
049    MAIN 
050  4 ML3499.B8|bD73 2019 
072  7 MUS|x041000|2bisacsh 
080    781.6 
082 04 781.63/09499|223 
100 1  Draganova, Asya,|0
245 10 Popular music in contemporary Bulgaria :|bat the 
       crossroads /|cby Asya Draganova. 
250    First edition. 
264  1 Bingley, UK :|bEmerald Publishing,|c2019. 
264  4 |c©2019. 
300    1 online resource (viii, 235 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc|0
347    text file|2rdaft|0
490 1  Emerald studies in alternativity and maginalization. 
504    Includes bibliographical references and index. 
505 0  Prelims -- Introduction -- Critical themes in the 
       cosmopolitan field of popular music -- Methodological 
       reflections -- Trajectories of emergence: mapping out the 
       post-communist popular music field -- The soundtrack of 
       transition: exploring the cultural politics of rock and 
       pop-folk -- Popular music on the periphery of Europe: 
       negotiating perceptions of the global' and the local' -- 
       Popular music at the crossroads: a summary of Leitmotifs -
       - Bibliography -- Index. 
520    Bulgarian popular music, the meanings it articulates, and 
       the infrastructures of its creation, operates within a web
       of inter-dependencies with changing social and political 
       contexts. Positioned on the edge of Europe, between the 
       cultural constructs of the 'East' and 'West', Bulgarian 
       popular music negotiates the complexities of perceived 
       'global' values and specificities of the 'local'. This 
       book takes an ethnographic approach to qualitative 
       methodologies to create a mosaic of perspectives through 
       the participation of music artists, critics, business 
       figures, copyright specialists, and young audiences. It 
       employs the metaphor of the 'crossroads' to describe the 
       realities of the contemporary Bulgarian popular music 
       field, developed amidst the prolonged transitions that 
       followed the communist era. In the context of struggles 
       for social change, popular music has participated in the 
       creation of rituals and symbols of protest and resistance.
       At the same time, the new market environment created 
       opportunities for popular music to formulate a business 
       approach to producing standardised content.The Balkans, 
       are a melting pot of music traditions, but are also framed
       as pathologically different from the rest of Europe. This 
       book suggests that an internalised negative stereotype 
       adds tacit complexities to Bulgarian popular music, while 
       at the same time, expressive markers of identity, such as 
       folklore and language, are celebrated. 
588    Description based on online resource; title from digital 
       title page (viewed on March 25, 2019). 
650  0 Popular music|0
       n81032254|xHistory and criticism.|0
830  0 Emerald studies in alternativity and marginalization.
956 40 |u
       db=nlebk&AN=1906371|zView online 
990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America|c2020-04-17|yAdded to 
       collection netlibrary.academicna|5OHN 

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