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LEADER 00000cam  2200817Ii 4500 
001    905221403 
003    OCoLC 
005    20160518010031.0 
006    m     o  d         
007    cr cnu---unuuu 
008    150319t20152015caua    ob    001 0 eng d 
020    9780520959781|q(electronic bk.) 
020    0520959787|q(electronic bk.) 
020    |z9780520284135|q(print) 
035    (OCoLC)905221403 
037    22573/ctt13h1j6w|bJSTOR 
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072  7 MUS|x033000|2bisacsh 
072  7 MUS|x006000|2bisacsh 
072  7 MUS020000|2bisacsh 
082 04 780.78/73|223 
100 1  Fosler-Lussier, Danielle,|d1969-|0http://id.loc.gov/
       authorities/names/n2006066914|eauthor. 
245 10 Music in America's Cold War diplomacy /|cDanielle Fosler-
       Lussier. 
264  1 Oakland, California :|bUniversity of California Press,
       |c[2015] 
264  4 |c©2015. 
300    1 online resource :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc|0http://rdaregistry.info/termList/
       RDAColourContent/1003 
347    text file|2rdaft|0http://rdaregistry.info/termList/
       fileType/1002 
490 1  California studies in 20th-century music ;|vno. 18. 
504    Includes bibliographical references and index 
505 0  Introduction : instruments of diplomacy -- Classical music
       and the mediation of prestige -- Classical music as 
       development aid -- Jazz in the cultural presentations 
       program -- African American ambassadors abroad and at home
       -- Portraying America's religious heritage -- The double-
       edged diplomacy of popular music -- Music, media, and 
       cultural relations between the United States and the 
       Soviet Union -- Conclusion : music, mediated diplomacy, 
       and globalization 
506    Available to OhioLINK libraries 
520    "During the Cold War, thousands of musicians from the 
       United States traveled the world under the sponsorship of 
       the U.S. State Department's Cultural Presentations 
       program. Using archival documents and newly collected oral
       histories, this study illuminates the reception of these 
       musical events, for the practice of musical diplomacy on 
       the ground sometimes differed substantially from what the 
       department's planners envisioned. Performances of music in
       many styles--classical, rock 'n' roll, folk, blues, and 
       jazz--were meant to compete with traveling Soviet and 
       Chinese artists, enhancing the reputation of American 
       culture. These concerts offered large audiences evidence 
       of America's improving race relations, excellent 
       musicianship, and generosity toward other peoples. Most 
       important, these performances also built meaningful 
       connections with people in other lands. Through personal 
       contacts and the media, musical diplomacy created subtle 
       musical, social, and political relationships on a global 
       scale. Although these tours were sometimes conceived as 
       propaganda ventures, their most important function was the
       building of imagined and real relationships, which 
       constitute the essence of soft power"--Provided by 
       publisher 
588 0  Print version record 
650  0 Music in intercultural communication|0http://id.loc.gov/
       authorities/subjects/sh2004014799|zUnited States|0http://
       id.loc.gov/authorities/names/n78095330|xHistory|y20th 
       century.|0http://id.loc.gov/authorities/subjects/
       sh2002006165 
650  0 Arts and diplomacy|0http://id.loc.gov/authorities/subjects
       /sh2007004669|zUnited States|0http://id.loc.gov/
       authorities/names/n78095330|xHistory|y20th century.|0http:
       //id.loc.gov/authorities/subjects/sh2002006165 
650  0 Music and globalization|0http://id.loc.gov/authorities/
       subjects/sh2003002120|zUnited States|0http://id.loc.gov/
       authorities/names/n78095330|xHistory|y20th century.|0http:
       //id.loc.gov/authorities/subjects/sh2002006165 
651  0 United States|xCultural policy|0http://id.loc.gov/
       authorities/subjects/sh2007100001|xHistory|y20th century.
       |0http://id.loc.gov/authorities/subjects/sh2002006165 
651  0 United States|xForeign relations|0http://id.loc.gov/
       authorities/subjects/sh85140058|zCommunist countries|0http
       ://id.loc.gov/authorities/subjects/sh85029173|xHistory
       |y20th century.|0http://id.loc.gov/authorities/subjects/
       sh2002006165 
651  0 Communist countries|xForeign relations|0http://id.loc.gov/
       authorities/subjects/sh87002372|zUnited States|0http://
       id.loc.gov/authorities/names/n78095330|xHistory|y20th 
       century.|0http://id.loc.gov/authorities/subjects/
       sh2002006165 
655  4 Electronic books. 
710 2  Ohio Library and Information Network.|0http://id.loc.gov/
       authorities/names/no95058981 
776 08 |iPrint version:|aFosler-Lussier, Danielle, 1969- author.
       |tMusic in America's Cold War diplomacy|z9780520284135
       |w(DLC)  2014031326|w(OCoLC)887450963. 
830  0 California studies in 20th-century music ;|0http://
       id.loc.gov/authorities/names/n00067476|v18. 
956 40 |uhttp://proxy.opal-libraries.org/login?url=http://
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       db=nlebk&AN=967325|zView online 
990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
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990    ProQuest Ebook Central|bEbook Central Academic Complete
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990    ProQuest ebrary|bebrary Academic Complete|c2017-04-20|5MTU
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