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LEADER 00000cam  22007458i 4500 
001    945121337 
003    OCoLC 
005    20200417035726.3 
006    m     o  d         
007    cr ||||||||||| 
008    160317t20162016inu     ob    000 0 eng   
010    2016013161 
019    962126856|a971530364|a971585522|a986954457|a987661583
020    9780253022080|q(electronic bk.) 
020    0253022088|q(electronic bk.) 
020    |z9780253021984|q(print ;|qalkaline paper) 
020    |z0253021987 
035    (OCoLC)945121337|z(OCoLC)962126856|z(OCoLC)971530364
037    22573/ctt1dqw89p|bJSTOR 
040    DLC|beng|erda|epn|cDLC|dOCLCO|dOCLCF|dOCLCQ|dOCLCO|dN$T
042    pcc 
049    MAIN 
050 10 MT145.B11 
072  7 MUS|x023040|2bisacsh 
072  7 MUS050000|2bisacsh 
072  7 MUS040000|2bisacsh 
082 00 787.2/183092|223 
100 1  Ritchie, Stanley,|0
245 14 The accompaniment in "unaccompanied" Bach :|binterpreting 
       the Sonatas and Partitas for violin /|cStanley Ritchie. 
263    1609. 
264  1 Bloomington ;|aIndianapolis :|bIndiana University Press,
264  4 |c20. 
264  4 |c2016. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft|0
490 1  Publications of the Early Music Institute. 
504    Includes bibliographical references. 
505 0  Principles of interpretation -- Dance forms -- Analytical 
       methods and exercises -- The improvisatory movements -- 
       The fugues -- The ostinato movements -- The dancelike 
       movements -- The virtuoso movements -- The philosophical 
       movements -- The lyrical movements -- Right-hand technique
       -- Left-hand technique. 
520    Known around the world for his advocacy of early 
       historical performance and as a skilled violin performer 
       and pedagogue, Stanley Ritchie has developed a technical 
       guide to the interpretation and performance of J.S. Bach's
       enigmatic sonatas and partitas for solo violin. Unlike 
       typical Baroque compositions, Bach's six solos are 
       uniquely free of accompaniment. To add depth and texture 
       to the pieces, Bach incorporated various techniques to 
       bring out a multitude of voices from four strings and one 
       bow, including arpeggios across strings, multiple stopping,
       opposing tonal ranges, and deft bowing. Published in 1802,
       over 80 years after its completion in 1720, Bach's 
       manuscript is without expression marks, leaving the 
       performer to freely interpret the dynamics, fingering, 
       bowings, and articulations. Marshaling a lifetime of 
       experience, Stanley Ritchie provides violinists with deep 
       insights into the interpretation and technicalities at the
       heart of these challenging pieces. 
588 0  Print version record and CIP data provided by publisher; 
       resource not viewed. 
600 10 Bach, Johann Sebastian,|d1685-1750.|tSonaten und Partiten,
       |mviolin,|nBWV 1001-1006.|0
650  0 Violin music|xInterpretation (Phrasing, dynamics, etc.)
776 08 |iPrint version:|aRitchie, Stanley.|tAccompaniment in 
       "unaccompanied" Bach.|dBloomington ; Indianapolis : 
       Indiana University Press, 2016|z9780253021984|w(DLC)  
830  0 Publications of the Early Music Institute.|0http:// 
956 40 |u
       db=nlebk&AN=1333563|zView online 
990    JSTOR|bBooks at JSTOR Evidence Based Acquisitions|c2020-04
       -17|yAdded to collection jstor.ebookseba|5JCU 
990    JSTOR|bBooks at JSTOR Evidence Based Acquisitions|c2020-04
       -10|yRemoved from collection jstor.ebookseba|5JCU 
990    JSTOR|bBooks at JSTOR Evidence Based Acquisitions|c2020-01
       -24|ySubsequent record output|5JCU 
990    JSTOR|bBooks at JSTOR Evidence Based Acquisitions|c2020-01
       -23|yNew collection jstor.ebookseba|5JCU 
990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America|c2019-01-11|yAdded to 
       collection netlibrary.academicna|5OHN 

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