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Title Interpreting Historical Keyboard Music : Sources, Contexts and Performance / edited by Andrew Woolley, John Kitchen.
Imprint Farnham : Ashgate Publishing Ltd, 2013.

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Series Ashgate Historical Keyboard Series
Ashgate historical keyboard series.
Subject Keyboard instrument music -- History and criticism.
Keyboard instrument music -- Interpretation (Phrasing, dynamics, etc.)
Performance practice (Music)
Alt Name Woolley, Andrew.
Kitchen, John, 1950-
Description 1 online resource (328 pages).
Contents Cover; Contents; List of Figures; List of Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Preface; List of Abbreviations; Introduction; Part I Renaissance Keyboard Music; 1 Some Aspects of P-Cug, MM 242: António Carreira's Keyboard tentos and fantasias and their Close Relationship with Jacques Buus's ricercari; 2 Making Connections: William Byrd, 'Virtual' Networks and the English Keyboard Dance; 3 William Byrd's My Ladye Nevells booke (1591): Negotiating between the stile antico and stile moderno in the Solo Keyboard Repertory.
Part II Seventeenth-Century Keyboard Music4 Giovanni Maria Trabaci and the New Manner of Inganni: A Musical Mockery in The Early Seicento Ricercare; 5 Places of Memory and Invention: The Compositional Process in Frescobaldi's Manuscripts; 6 The Libro di Fra Gioseffo da Ravenna: A Little Light on a Seventeenth-Century Italian Keyboard Collection; 7 A Discourse of Styles: Contrasting Gigue Types in the A Minor Jig from The Purcell Partial Autograph, GB-Lbl, MS Mus. 1; Part III Performance Practice; 8 Questions of Keyboard Temperament in the Sixteenth Century.
9 Seventeenth-Century Harpsichords: Playing the Four-Foot Stop10 'In playing those bells, his amazing dexterity raised my wonder much higher': Carillon Performance Practice in the Seventeenth and Eighteenth Centuries; 11 Dynamics and Orchestral Effects in Late Eighteenth-Century Portuguese Organ Music; 12 Czerny and the Organ: Pragmatism, Prestige and Performance Practice; Part IV Perspectives on Eighteenth-Century Repertoire; 13 Some Reflections on François Couperin's 'New and diversified character'; 14 Music for Connoisseurs and Amateurs: C.P.E. Bach and the Keyboard.
15 João Cordeiro da Silva (1735-1808?): A Portuguese Galant Keyboard ComposerPart V The Nineteenth-Century Piano and Repertoire; 16 Grand and Grander: Economic Sidelights on Piano Design and Piano Salesmanship in Early Nineteenth-Century Vienna; 17 Left-Hand Techniques in Carl Czerny's Pedagogical Piano Works and Nineteenth-Century Pianism; 18 In the Footsteps of Jean Paul: Sonority and Pedalling in Robert Schumann's Papillons, Op. 2; 19 A Forgotten Repertoire: The Emergence of Female Piano Composers in Nineteenth-Century Portugal; Bibliography; Index.
Summary In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, covering the mid-sixteenth to early twentieth century.
Bibliography Note Includes bibliographical references (pages 271-294) and index.
Note Print version record.
ISBN 9781409464273 (electronic bk.)
140946427X (electronic bk.)
1306169739
9781306169738
9781409464266 (hardcover ; alk. paper)
1409464261 (hardcover ; alk. paper)
9781409464280 (epub)
OCLC # 858763027
Additional Format Print version: Woolley, Andrew. Interpreting Historical Keyboard Music. Farnham : Ashgate Publishing Ltd, 2013 9781409464266