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049    MAIN 
050  4 ML1263|b.S74 2000eb 
072  7 MUS|x006000|2bisacsh 
082 04 784.23015|222 
100 1  Steinberg, Michael,|d1928-2009.|0http://id.loc.gov/
       authorities/names/n80108354 
245 14 The concerto :|ba listener's guide /|cMichael Steinberg. 
264  1 Oxford ;|aNew York :|bOxford University Press,|c2000. 
300    1 online resource (xv, 506 pages) :|bmusic 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc|0http://rdaregistry.info/termList/
       RDAColourContent/1003 
347    data file|2rda 
500    Originally published: 1998. 
505 2  Adams:. Violin concerto -- Bach: The Branderburg 
       concertos; Harpsichord (or Violin) concerto in D minor; 
       Two-violin concerto -- Barber: Piano concerto; violin 
       concerto -- Bartók: Piano concertos no. 1-3; Violin 
       concerto no. 2 -- Beethoven: Piano concertos no. 1-5; 
       Triple concerto for piano, violin, and cello; Violin 
       concerto -- Berg: Violin concerto -- Brahms: Piano 
       concertos no. 1-2; Violin concerto; Double concerto for 
       violin and cello -- Bridge: Oration, for cello and 
       orchestra -- Britten. Violin concerto; Symphony for cello 
       and orchestra -- Bruch: Violin concerto no. 1; Scottish 
       fantasy, for violin and orchestra -- Carter: Oboe 
       concerto; Violin concerto; Double concerto for harpsichord,
       piano, and two orchestras -- Chausson: Poème, for violin 
       and orchestra -- Copland: Clarinet concerto -- Dvŏrák: 
       Cello concerto -- Elgar: Cello concerto; Violin concerto -
       - Grieg: Piano concerto -- Hindemith: Cello concerto; Der 
       Schwanendreher, for viola and orchestra Trauermusik, for 
       viola and orchestra -- Korngold: Violin concerto -- Lalo: 
       Symphonie espagnole, for violin and orchestra -- Ligeti: 
       Cello concerto; Piano concerto; Violin concerto -- Liszt: 
       Piano concertos no. 1-2 -- Lutosławsk:. Cello concerto -- 
       Martin: Concerto for seven winds, timpani, percussion, and
       string; Polyptyque, for violin and two string orchestra[s]
       -- Mendelssohn: Piano concerto no. 1; Violin concerto -- 
       Mozart: Clarinet concerto; Horn concerto no. 3; Piano 
       concertos no. 9, 11-27; Violin concertos no. 3-5; Sinfonia
       concertante, for violin and viola -- Nielsen: Clarinet 
       concerto; Flute concerto -- Perle: Piano concerto no. 1 --
       Prokofiev: Piano concerto no. 2-3; Violin concerto no. 1-2
       -- Rachmaninoff: Piano concertos no. 2-3; Rhapsody on a 
       theme of Paganini, for piano and orchestra -- Ravel:Piano 
       concerto in G; Concerto for piano, left-hand and orchestra
       -- Reger:Piano concerto -- Saint-Saëns:Piano concertos no.
       2, 4 -- Schoenberg:Piano concerto; Violin concerto -- 
       Schuman:Violin concerto -- Schumann:Cello concerto; Piano 
       concerto; Violin concerto; Concertstück, for four horns --
       Sessions: Violin concerto -- Shostakovich: Cello concerto 
       no. 1; Piano concerto no. 1; Violin concerto no. 1 -- 
       Sibelius: Violin concerto -- Strauss: Burleske, for piano 
       and orchestra; Horn concertos no. 1-2; Oboe concerto -- 
       Stravinsky: Capriccio for piano and orchestra; Piano 
       concerto; Violin concerto -- Tchaikovsky: Piano concertos 
       no. 1-2; Violin concerto; Variations on a Rococo theme, 
       for cello and orchestra -- Walton: Cello concerto; Viola 
       concerto; Violin concerto -- Zimmermann: Nobody knows de 
       trouble I see, for trumpet and orchestra. 
520 8  Michael Steinberg's 1996 volume The Symphony: A Reader's 
       Guide received glowing reviews across America. It was 
       hailed as "wonderfully clear ... recommended warmly to 
       music lovers on all levels" (Washington Post), "informed 
       and thoughtful" (Chicago Tribune), and "composed by a 
       master stylist"(San Francisco Chronicle). Seiji Ozawa 
       wrote that "his beautiful and effortless prose speaks from
       the heart." Michael Tilson Thomas called The Symphony "an 
       essential book for any concertgoer." Now comes the 
       companion volume--The Concerto: A Listener's Guide. In 
       this marvelous book, Steinberg discusses over 120 works, 
       ranging from Johann Sebastian Bach in the 1720s to John 
       Adams in 1994. Readers will find here the heart of the 
       standard repertory, among them Bach's BrandenburgConcertos,
       eighteen of Mozart's piano concertos, all the concertos of
       Beethoven and Brahms, and major works by Mendelssohn, 
       Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar,
       Sibelius, Strauss, and Rachmaninoff. The book also 
       provides luminous introductions to the achievement 
       oftwentieth-century masters such as Arnold Schoenberg, 
       Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith,
       Sergei Prokofiev, Aaron Copland, and Elliott Carter. 
       Steinberg examines the work of these musical giants with 
       unflagging enthusiasm and bright style. He is a master of 
       capturing theexpressive, dramatic, and emotional values of
       the music and of conveying the historical and personal 
       context in which these wondrous works were composed. His 
       writing blends impeccable scholarship, deeply felt love of
       music, and entertaining whimsy. Here then is a superb 
       journey through one of music's richest and most diverse 
       forms, with Michael Steinberg along as host, guide, and 
       the best of companions. 
588 0  Print version record. 
650  0 Concertos|xAnalysis, appreciation.|0http://id.loc.gov/
       authorities/subjects/sh2009121281 
655  4 Electronic books. 
776 08 |iPrint version:|aSteinberg, Michael, 1928-2009.
       |tConcerto.|dOxford ; New York : Oxford University Press, 
       2000|z0195139313|z0195103300|w(DLC)   97042678
       |w(OCoLC)45041572. 
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