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LEADER 00000cam  2200685Ii 4500 
001    957156894 
003    OCoLC 
005    20181101045333.3 
006    m     o  d         
007    cr cnu|||unuuu 
008    160823t20162016nyu     ob    001 0 eng d 
019    957606116|a960086575|a961867723 
020    9781137599230|q(electronic bk.) 
020    1137599235|q(electronic bk.) 
020    1137599227 
020    9781137599223 
020    |z9781137599223 
020    |z1137599227 
024 3  9781137599223 
035    (OCoLC)957156894|z(OCoLC)957606116|z(OCoLC)960086575
       |z(OCoLC)961867723 
037    10.1057/978-1-137-59923-0|b00676990 
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082 04 891.432009|223 
100 1  Dimitrova, Diana,|d1969-|0http://id.loc.gov/authorities/
       names/n2003064416|eauthor. 
245 10 Hinduism and Hindi theater /|cDiana Dimitrova. 
264  1 New York, NY :|bPalgrave Macmillan,|c[2016] 
264  4 |c2016 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc|0http://rdaregistry.info/termList/
       RDAColourContent/1003 
347    text file|2rdaft|0http://rdaregistry.info/termList/
       fileType/1002 
504    Includes bibliographical references and index. 
505 0  Dedication; Contents; The Author; Chapter 1: Introduction;
       On Method; On Transliteration; Note; Chapter 2: Rethinking
       Hinduism, Mythologizing, and Otherism; The Concept of 
       "Myth" and the Process of Mythologizing; Hinduism and 
       Mythologizing; The Notion of the "Other" and the Discourse
       of Otherism; Hinduism and Otherism; Hinduism and the 
       Discourses of Urdu-Hindu Progressivism and of the Arya 
       Samaj; Urdu-Hindi Progressivism; Hindu Reform Movements 
       and the Arya Samaj in North India33; Notes; Chapter 3: 
       Revisiting Hindi Theatre: Inventing Tradition. 
505 8  "The Invention of Tradition": Hindi Nationalism and Hindi 
       Drama and TheatreNon-Invented Traditions and Influences on
       Hindi Theatre; Modern Hindi Drama: Major Authors and 
       Periods; Bharatendu Harishcandra (1850-1885); Jayshankar 
       Prasad (1889-1937); Lakshminarayan Mishra (1903-1987); 
       Bhuvaneshvar Prasad Shrivastav (1912/14-1957); 
       Jagdishcandra Mathur (1917-1981); Mohan Rakesh (1925-
       1972); Upendranath Ashk (1910-1996); The Invention of 
       Tradition and the Creation of the Canon of Hindi Drama; 
       Notes. 
505 8  Chapter 4: Hinduism, Nationalism, and Varnasramadharma: 
       Mythologizing and Othering the Religious Other Hinduism 
       and Varnasramadharma1; Bharatendu Harishcandra (1850-
       1885); Jayshankar Prasad (1889-1937); Lakshminarayan 
       Mishra (1903-1987); Bhuvaneshvar Prasad Shrivastav (1912/
       14-1957); Mohan Rakesh (1925-1972); Jagdishcandra Mathur 
       (1917-1981); Upendranath Ashk (1910-1996); Hinduism, Hindi
       Theatre, and the Notion of Cultural Identity; Notes; 
       Chapter 5: Hinduism and Gender: Mythologizing and Othering
       Women; Images of the Feminine in the Hindu Tradition 
505 8  Mythologizing and Othering of Women and Hindi 
       TheatreBharatendu Harishcandra; Jayshankar Prasad; 
       Lakshminarayan Mishra; Mohan Rakesh; Bhuvaneshvar; 
       Jagdishcandra Mathur; Upendranath Ashk; Mythologizing and 
       Othering Women and the Construction of the Literary Canon;
       Notes; Conclusion: A Hindu-Hindi Drama?; Summary of 
       Dramas; Ashk, Upendranath (1910-1996); Alag alag raste 
       (Separate Ways), 1954; Anjo Didi (The Elder Sister Anjo), 
       1955; Kaid aur Uran (Prison and Flight), 1950; Kaid 
       (Prison); Uran (Flight); Svarg ki jhalak (Glimpse of 
       Paradise), 1939; Taulie (Towels), 1943 
505 8  Tufan se pahle (Before the Storm), 1946Bhuvaneshvar 
       (Bhuvaneshvar Prasad Shrivastav) (1912/4-1957); Pratibha 
       ka vivah (Pratibha's Marriage), 1933; Straik (Strike), 
       1938; Bharatendu (Bharatendu Harishcandra) (1850-1885); 
       Andher Nagari (The Lawless State), 1881; Nildevi (Nildevi),
       1881; Mathur, Jagdishcandra (1917-1981); Bhor ka tara (The
       Morning Star), 1937; Konark (The Temple of Konark), 1951; 
       Rirh ki haddi (Backbone), 1939; Mishra, Lakshminarayan 
       (1903-1981); Sindur ki holi (The Vermilion Holi), 1934; 
       Sanyasi (The Ascetic), 1929; Prasad, Jayshankar (1889-
       1937) 
520 8  This text explores the representation of Hinduism through 
       myth and discourse in urban Hindi theatre in the period 
       1880-1960. It discusses representative works of seven 
       influential playwrights and looks into the ways they have 
       imagined and re-imagined Hindu traditions. 
588 0  Online resource; title from PDF title page (EBSCO, viewed 
       August 29, 2016). 
650  0 Hindi drama|xHistory and criticism.|0http://id.loc.gov/
       authorities/subjects/sh2008105614 
650  0 Theater|zIndia|xHistory|0http://id.loc.gov/authorities/
       subjects/sh2008112859|y19th century.|0http://id.loc.gov/
       authorities/subjects/sh2002012475 
650  0 Theater|zIndia|xHistory|y20th century.|0http://id.loc.gov/
       authorities/subjects/sh2010116303 
650  0 Hinduism in literature.|0http://id.loc.gov/authorities/
       subjects/sh95004056 
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0http://
       id.worldcat.org/fast/1411635 
655  7 History.|2fast|0http://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aDimitrova, Diana, 1969-|tHinduism and 
       Hindi theater.|dNew York, NY : Palgrave Macmillan, [2016]
       |z1137599227|z9781137599223|w(OCoLC)942380986 
990    SpringerLink|bSpringer English/International eBooks 2016 -
       Full Set|c2018-10-31|yNew collection 
       springerlink.ebooks2016|5OH1 
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