Cover; Series; Music Criticism and Music Critics in Early Francoist Spain; Copyright; Contents; Acknowledgments; Abbreviations; Introduction; 1. How to Be a Music Critic in 1940s Spain: Expectations and Restrictions; 2. Reviewing Contemporary Music; 3. The Sound of Hispanidad: Reviewing Early Music; 4. Reviewing Traditional Music: Toward Unity of the Men and the Land of Spain; Conclusion; Appendix I: Publications, 1939-1951; Appendix II: Music Critics; References; Index
In Music Criticism and Music Critics in Early Francoist Spain, Eva Moreda Rodriguez presents a kaleidoscopic portrait of the diverse and often divergent writings of music critics in the early years of the Franco regime. Carefully selecting contemporary writings by well-known music critics, Moreda Rodriguez contextualizes music criticism written during the Franco regime within the broader intellectual history of Spain from the nineteenth century onwards.
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