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Author Lootens, Tricia A.,
Title The political poetess : Victorian femininity, race, and the legacy of separate spheres / Tricia Lootens.
Imprint Princeton : Princeton University Press 2017.

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Subject English poetry -- 19th century -- History and criticism.
English poetry -- Women authors -- History and criticism.
Feminism and literature -- 19th century.
Antislavery movements in literature.
Alt Name Ohio Library and Information Network.
Description 1 online resource (335 pages): illustrations
Bibliography Note Includes bibliographical references and index
Contents Introduction: Slaves, Spheres, Poetess Poetics -- Section 1: Racializing the Poetess: Haunting "Separate Spheres" -- Antislavery Afterlives: Changing the Subject: Haunting the Poetess -- "Not Another 'Poetess'": Feminist Criticism, Nineteenth-Century Poetry, and the Racialization of Suicide -- Section 2: Suspending Spheres: The Violent Structures of Patriotic Pacifism -- Suspending Spheres, Suspending Disbelief: Hegel's Antigone, Craik's Crimea, Woolf's Three Guineas -- Turning and Burning: Sentimental Criticism, Casabiancas, and the Click of the Cliché -- Section 3: Transatlantic Occasions: Nineteenth-Century Antislavery Poetics and the Limits -- Teaching Curses, Teaching Nations: Abolition Time and the Recoils of Antislavery Poetics -- Harper's Hearts: "Home Is Never Natural or Safe"
Access Available to OhioLINK libraries
Summary The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"--one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget the unfulfilled, sentimental promises of early antislavery victories, The Political Poetess restores Poetess performances like Julia Ward Howe's "Battle Hymn of the Republic" and Emma Lazarus's "The New Colossus" to view--and with them, the vitality of the Black Poetess within African-American public life
Note Description based on print version record
ISBN 9781400883721 (electronic bk.)
1400883725 (electronic bk.)
9780691170312
0691170312
OCLC # 968193351
Additional Format Print version: 9780691170312 0691170312 (OCoLC)951724647.