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| LOCATION | CALL # | STATUS | MESSAGE |
|---|---|---|---|
| OTTERBEIN MAIN COLLECTION | PN1650.V55 T53 | AVAILABLE |
|
| LOCATION | CALL # | STATUS | MESSAGE |
|---|---|---|---|
| OTTERBEIN MAIN COLLECTION | PN1650.V55 T53 | AVAILABLE |
|
| Table of Contents | ||||||
|---|---|---|---|---|---|---|
| Themes in Drama volumes and conferences | ||||||
| List of contributors | ||||||
| List of illustrations | ||||||
| Editor's preface | ||||||
| The uses of violence in drama / Thomas Gould | 1 | |||||
| Violence in Greek tragedy / Simon Goldhill | 15 | |||||
| Violence and dramatic structure in Euripides' Hecuba / Charles Segal | 35 | |||||
| Violence on the street: playing rough in Plautus / Richard C. Beacham | 47 | |||||
| Violence and the social body in the Croxton Play of the Sacrament / Victor I. Scherb | 69 | |||||
| 'There must be blood': mutilation and martyrdom on the medieval stage / John Spalding Gatton | 79 | |||||
| Mixed feelings about violence in the Corpus Christi plays / Richard L. Homan | 93 | |||||
| Shakespearean violence: a preliminary survey / Jonas Barish | 101 | |||||
| Cultural disintegration in Titus Andronicus: mutilating Titus, Vergil and Rome / Heather James | 123 | |||||
| Racine's Bajazet: the language of violence and secrecy / Maya Slater | 141 | |||||
| Grand Guignol and the orchestration of violence / Victor Emeljanow | 151 | |||||
| The ultimate in theatre violence / John M. Callahan | 165 | |||||
| Lesbian sexuality and violence in the plays of G. B. Shaw / Ellen Gainor | 177 | |||||
| Violence as tragic farce in Camus's Caligula / Ben Stoltzfus | 191 | |||||
| Violence in two plays by Federico Garcia Lorca / Kay Garcia | 203 | |||||
| Apartheid and primitive blood: violence in Afrikaans Shakespeare productions / Rohan Quince | 215 | |||||
| A streetcar named misogyny / Kathleen Margaret Lant | 225 | |||||
| Languages of violence: Fugard's Boesman and Lena / Marcia Blumberg | 239 | |||||
| Stage violence as thaumaturgic technique / Mary Karen Dahl | 251 | |||||
| Violation and implication: One for the Road and Ficky Stingers / David Ian Raby | 261 | |||||
| The mask as sign of violence in contemporary Latin American theatre / Severino Joao Albuquerque | 269 | |||||
| 'night Mother and True West: mirror images of violence and gender / Raynette Halvorsen Smith | 277 | |||||
| The role of the theatre in Czechoslovakia's 'velvet revolution' / Jeremy Adler | 291 | |||||
| Index | 315 | |||||
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