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LEADER 00000cam  2200445Ii 4500 
001    1128030097 
003    OCoLC 
005    20200117040003.6 
006    m     o  d         
007    cr |n||||||||| 
008    191120s2019    enk     o     000 0 eng d 
020    9780192586889|q(electronic bk.) 
020    0192586882|q(electronic bk.) 
020    |z0198847688 
020    |z9780198847687 
035    (OCoLC)1128030097 
040    YDX|beng|erda|cYDX|dOH1|dOCLCO 
049    MAIN 
050  4 PA3015.H77|bM45 2020 
082 04 881.0093/5|223 
100 1  Meister, Felix Johannes,|d1986-|0http://id.loc.gov/
       authorities/names/no2015132026|eauthor. 
245 10 Greek praise poetry and the rhetoric of divinity /|cFelix 
       J. Meister. 
264  1 Oxford :|bOxford University Press,|c2020. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft|0http://rdaregistry.info/termList/
       fileType/1002 
490 0  Oxford classical monographs 
520 8  The polar dichotomy between man and god, and the 
       insurmountable gulf between them, are considered a 
       fundamental principle of archaic and classical Greek 
       religion. Greek Praise Poetry and the Rhetoric of Divinity
       argues that poetry produced between the eighth and the 
       fifth centuries BC does not present such a uniform view of
       the world, demonstrating instead that particular genres of
       poetry may assess the distance between humans and gods 
       differently. Discussion focuses on genres where the 
       boundaries appear to be more flexible, with wedding songs,
       victory odes, and selected passages from tragedy and 
       comedy taken as case studies that illustrate that some 
       human individuals may, in certain situations, be presented
       as enjoying a state of happiness, a degree of beauty, or 
       an amount of power comparable to that of the gods. A 
       central question throughout is whether these presentations
       stem from an individual poet's creative ingenuity or from 
       the conventional ideological repertoire of the respective 
       genre, and how this difference might shape the comparison 
       of a human with the gods. Another important question 
       concerns the ritual contexts in which some of these songs 
       would have been performed, expanding the scope of the 
       analysis beyond merely a literary device to encompass a 
       fundamental aspect of archaic and classical Greek culture.
650  0 Greek poetry|xHistory and criticism.|0http://id.loc.gov/
       authorities/subjects/sh2008105402 
650  0 Latin poetry|xHistory and criticism.|0http://id.loc.gov/
       authorities/subjects/sh2008106706 
650  0 Human beings in literature.|0http://id.loc.gov/authorities
       /subjects/sh94006112 
776 08 |cOriginal|z0198847688|z9780198847687|w(OCoLC)1097673267 
830  0 Oxford classical monographs.|0http://id.loc.gov/
       authorities/names/n92032299 
990    Oxford University Press|bOxford Scholarship Online 
       Classical Studies|c2020-01-17|yAdded to collection 
       OUP.osoClassics|5OH1 
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