OPAL - OHIO PRIVATE ACADEMIC LIBRARIES / Otterbein

LEADER 00000cam  2200781Ki 4500 
001    818953037 
003    OCoLC 
005    20180309083130.6 
006    m     o  d         
007    cr |n||||||||| 
008    121121s2012    mau     ob    001 0 eng d 
019    835789885|a851241339|a961660612|a962656164 
020    0674067959|q(electronic bk.) 
020    9780674067950|q(electronic bk.) 
020    |z9780674067066|q(alk. paper) 
020    |z0674067061|q(alk. paper) 
024 7  10.4159/harvard.9780674067950|2doi 
035    (OCoLC)818953037|z(OCoLC)835789885|z(OCoLC)851241339
       |z(OCoLC)961660612|z(OCoLC)962656164 
037    22573/ctt2f1b6b|bJSTOR 
040    YDXCP|beng|epn|erda|cYDXCP|dOCLCO|dN$T|dE7B|dEMU|dCUS|dOL$
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       |dMERUC|dOCLCQ|dJBG|dIOG|dOCLCO|dZCU|dDEGRU|dU3W|dOCLCA 
049    OXBE 
050  4 N70|b.T46 2012 
072  7 ART009000|2bisacsh 
072  7 PHI035000|2bisacsh 
072  7 PHI001000|2bisacsh 
072  7 ART|x000000|2bisacsh 
082 04 701|223 
100 1  Tamen, Miguel.|0http://id.loc.gov/authorities/names/
       nr89000040 
245 10 What art is like, in constant reference to the Alice books
       /|cMiguel Tamen. 
264  1 Cambridge, Massachusetts :|bHarvard University Press,
       |c2012. 
300    1 online resource (117 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft|0http://rdaregistry.info/termList/
       fileType/1002 
504    Includes bibliographical references and index. 
505 00 |gMachine generated contents note:|g1.|tIdeas ([ʹ][ʹ]1-55)
       --|g2.|tFurniture ([ʹ][ʹ]56-103) --|g3.|tMistake 
       ([ʹ][ʹ]104-150) --|g4.|tWhat Happens ([ʹ][ʹ]151-199). 
520    This comic, serious inquiry into the nature of art takes 
       its technical vocabulary from Alice's Adventures in 
       Wonderland and Through the Looking-Glass. It is ridiculous
       to think of poems, paintings, or films as distinct from 
       other things in the world, including people. Talking about
       art should be contiguous with talking about other relevant
       matters. 
520    What Art Is Like is a comic, serious inquiry into the 
       nature of art. It provides welcome relief from prevailing 
       modes of explaining art that involve definitions, 
       philosophical claims, and critical judgments put forth by 
       third parties. Scrapping all such chatter, Miguel Tamen's 
       aphoristic lark with aesthetic questions proceeds by 
       taking its technical vocabulary only from Lewis Carroll's 
       Alice's Adventures in Wonderland and Through the Looking-
       Glass. According to Tamen, it would be ridiculous to think
       of poems or paintings or films or any variety of artistic 
       production as distinct from other things in the world, 
       including people. Talking about art should be contiguous 
       with talking about many other relevant and important 
       matters. Tamen offers a series of analogies and similes to
       help us imagine these connected experiences. One, taken 
       from the analytical table of contents where the book is 
       writ small, suggests that "understanding a poem is like 
       understanding a cat; neither ever says anything back and 
       you can't keep a conversation with them. All art is like 
       this, but not only art is like this; nature, the past, 
       numbers are also like this." Tamen takes up many central 
       issues in aesthetics and the philosophy of art, including 
       the connection between art and having fuzzy ideas about 
       art, the mistake of imagining that art-decisions are put 
       forth by art-courts where you are both judge and jury, and
       the notion that what happens with art also happens to you.
588 0  Print version record. 
600 00 Alice|c(Fictitious character from Carroll)|0http://
       id.loc.gov/authorities/names/no2014027041 
600 10 Carroll, Lewis,|d1832-1898.|tAlice's adventures in 
       Wonderland.|0http://id.loc.gov/authorities/names/n79080561
600 10 Carroll, Lewis,|d1832-1898.|tThrough the looking-glass.
       |0http://id.loc.gov/authorities/names/n83196986 
650  0 Art|xPhilosophy.|0http://id.loc.gov/authorities/subjects/
       sh85007494 
653    Multi-User. 
655  4 Electronic books. 
776 08 |iPrint version:|aTamen, Miguel.|tWhat art is like, in 
       constant reference to the Alice books.|dCambridge, 
       Massachusetts : Harvard University Press, 2012
       |z9780674067066|w(DLC)  2012010777|w(OCoLC)781077825 
956 40 |uhttp://proxy.opal-libraries.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=502807|zView online 
990    ProQuest Ebook Central|bEbook Central Academic Complete
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990    ProQuest Ebook Central|bEbook Central Academic Complete
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990    ProQuest Ebook Central|bEbook Central Academic Complete
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990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
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990    ProQuest Ebook Central|bEbook Central Academic Complete
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990    ProQuest Ebook Central|bEbook Central Academic Complete
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990    ProQuest ebrary|bebrary Academic Complete|c2017-08-11
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990    ProQuest Ebook Central|bEbook Central Academic Complete
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990    ProQuest Ebook Central|bEbook Central Academic Complete
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990    ProQuest ebrary|bebrary Academic Complete|c2017-04-20|5MTU
990    ProQuest Ebook Central|bEbook Central Academic Complete
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990    ProQuest Ebook Central|bEbook Central Academic Complete
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990    ProQuest Ebook Central|bEbook Central Academic Complete
       |c2017-08-05|yAdded to collection pqebk.acadcomplete|5MTU 
990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America|c2017-02-10|yMaster record 
       variable field(s) change: 505|5OHN 
990    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
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