OPAL - OHIO PRIVATE ACADEMIC LIBRARIES / Otterbein

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001    972017701 
003    OCoLC 
005    20201216083617.1 
006    m     o  d         
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008    161220t20172017ne a    ob    001 0 eng d 
010    2016514171 
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020    9789048524112|q(e-ISBN) 
020    9048524113 
020    9789089647023 
020    9089647023 
024 3  9789089647023 
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043    e-ne--- 
049    OXBE 
050  4 N8600 
072  7 ART|x000000|2bisacsh 
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082 04 [E] 
082 04 338.4/7709492|223 
245 00 Painting and publishing as cultural industries :|bthe 
       fabric of creativity in the Dutch Republic, 1580-1800 /
       |cClaartje Rasterhoff. 
264  1 Amsterdam :|bAmsterdam University Press,|c[2017] 
264  4 |c2017 
300    1 online resource (344 pages) :|billustrations (some 
       color) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file|2rda 
490 1  Amsterdam studies in the Dutch golden age 
504    Includes bibliographical references (pages 307-336) and 
       index. 
505 0  Introduction -- Part I. Publishing -- 1580-1610: window of
       opportunity -- 1610-1650: unlocking potential -- 1610-1650
       : buzz and pipelines -- 1650-1800: mature markets -- Part 
       II. Painting -- 1580-1610: a period of transition -- 1610-
       1650: unlocking potential -- 1610-1650: buzz and pipelines
       -- 1650-1800: mature markets -- Conclusion. 
520    The Dutch Republic was a cultural powerhouse in the modern
       era, producing lasting masterpieces in painting and 
       publishing-and in the process transforming those fields 
       from modest trades to booming industries. This book asks 
       the question of how such a small nation could become such 
       a major player in those fields. Claartje Rasterhoff shows 
       how industrial organisations played a role in shaping 
       patterns of growth and innovations. As early modern Dutch 
       cultural industries were concentrated geographically, 
       highly networked, and institutionally embedded, they were 
       able to reduce uncertainty in the marketplace and 
       stimulate the commercial and creative potential of 
       painters and publishers-though those successes eventually 
       came up against the limits of a saturated domestic market 
       and an aversion to risk on the part of producers that 
       ultimately brought an end to the boom. 
650  0 Art|xEconomic aspects|zNetherlands|xHistory. 
650  0 Art and industry|zNetherlands|xHistory. 
650  0 Publishers and publishing|zNetherlands|xHistory. 
650  0 Painting|zNetherlands|xHistory. 
650  7 ART|xGeneral.|2bisacsh 
650  7 Art and industry.|2fast|0(OCoLC)fst00815398 
650  7 Art|xEconomic aspects.|2fast|0(OCoLC)fst00815231 
650  7 Painting.|2fast|0(OCoLC)fst01050567 
650  7 Publishers and publishing.|2fast|0(OCoLC)fst01083463 
650  7 Branche|2gnd 
650  7 Buchdruck|2gnd 
650  7 Malerei|2gnd 
650  7 Wirtschaft|2gnd 
651  7 Netherlands.|2fast|0(OCoLC)fst01204034 
651  7 Niederlande|2gnd 
776 08 |iPrint version:|tPainting and publishing as cultural 
       industries.|dAmsterdam : Amsterdam University Press, 
       [2017]|w(DLC)  2016514171 
830  0 Amsterdam studies in the Dutch golden age. 
990    JSTOR|bBooks at JSTOR Open Access|c2020-12-15|yNew 
       collection jstor.oaebooks|5OXB 
990    JSTOR|bBooks at JSTOR Open Access|c2019-10-22|yNew 
       collection jstor.oaebooks|5OH1