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LEADER 00000cam  2200661Ii 4500 
001    1099253428 
003    OCoLC 
005    20190808061601.4 
006    m     o  d         
007    cr cnu|||unuuu 
008    190426s2019    sz a    ob    001 0 eng d 
015    GBB981497|2bnb 
019    1103898192|a1105170239 
020    9783030150464|q(electronic bk.) 
020    3030150461|q(electronic bk.) 
020    |z9783030150457 
024 7  10.1007/978-3-030-15046-4|2doi 
024 8  10.1007/978-3-030-15 
035    (OCoLC)1099253428|z(OCoLC)1103898192|z(OCoLC)1105170239 
037    com.springer.onix.9783030150464|bSpringer Nature 
040    N$T|beng|erda|epn|cN$T|dN$T|dGW5XE|dEBLCP|dUKMGB|dUPM
       |dOCLCF|dLQU|dDEBBG|dOCLCQ 
049    MAIN 
050  4 ML978 
072  7 TTA|2bicssc 
072  7 TTA|2thema 
072  7 MUS|x023050|2bisacsh 
082 04 788.72|223 
100 1  Braasch, Jonas,|0http://id.loc.gov/authorities/names/
       no99038096|eauthor. 
245 10 Hyper-specializing in saxophone using acoustical insight 
       and deep listening skills /|cJonas Braasch. 
264  1 Cham, Switzerland :|bSpringer,|c[2019] 
300    1 online resource :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc|0http://rdaregistry.info/termList/
       RDAColourContent/1003 
347    text file|bPDF|2rda 
490 1  Current research in systematic musicology ;|vvolume 6. 
504    Includes bibliographical references and index. 
505 0  Intro; Preface; Contents; About the Author; 1 
       Introduction; 2 Acoustics of the Saxophone; 2.1 
       Introduction; 2.2 The Resonator; 2.2.1 The Cylindrical 
       Resonator; 2.2.2 The Conical Resonator; 2.3 The Tone 
       Generator; 2.3.1 General Mechanisms; 2.3.2 Acoustical 
       Analysis; 2.4 Acoustic Coupling of Tone Generator and 
       Resonator System; 2.4.1 General Thoughts; 2.4.2 Physical 
       Coupled Reed/Resonator Model; 2.5 The Role of the Vocal 
       Tract; 2.5.1 Shaping the Instrument's Timbre; 2.5.2 
       Intonation Using Super Formants; 2.5.3 Articulation; 3 
       Extended Techniques for the Saxophone; 3.1 Altissimo Range
505 8  3.2 Circular Breathing3.3 Singing and Playing; 4 Deep 
       Listening; 4.1 Introduction; 4.2 Hearing and Listening; 
       4.2.1 General Definitions and Background; 4.2.2 Focal and 
       Global Listening; 4.2.3 Auditory Scene Analysis; 4.2.4 
       Transparent and Fused Music Ensembles; 4.3 Intuitive 
       Listening; 4.3.1 Intuitive Approach to Music; 4.3.2 
       Embodiment; 4.3.3 Enauditioning Situations; 4.4 Listening 
       and Understanding; 4.4.1 Background; 4.4.2 Sound Quality 
       and Assigning Meaning; 4.4.3 Breaking Cultural 
       Conventions; 4.5 Creating and Adapting to Musical 
       Situations; 4.5.1 The Freedom of Shared Responsibility 
505 8  4.5.2 The New Virtuoso Performer5 Grafted Instruments; 5.1
       Introduction; 5.2 Historical Background on the Saxophone; 
       5.3 The Sarrusophone; 5.3.1 Historical Background; 5.3.2 
       Construction; 5.3.3 General Playing Instructions; 5.3.4 
       Songs; 5.4 The Cornett; 5.4.1 Historical Background; 5.4.2
       On the Use of the Saxophone as a Cornett; 5.4.3 
       Construction; 5.4.4 Embouchure; 5.4.5 Exercises; 5.4.6 
       Cornett Repertoire; 5.5 Rim Flute; 5.5.1 Historical 
       Context; 5.5.2 Mouthpiece Adapter; 5.5.3 General Playing 
       Instructions; 5.5.4 Daily Exercises; 5.5.5 Songs; 5.6 
       Didjeridu; 5.6.1 Historical Context 
505 8  5.6.2 Construction5.6.3 General Playing Instructions; 5.7 
       Bawu; 5.7.1 Classification; 5.7.2 Construction; 5.7.3 
       General Playing Instructions; 5.7.4 Songs; 5.8 Duduk; 
       5.8.1 Historical Background; 5.8.2 Construction; 5.8.3 
       General Playing Instructions; 5.8.4 Songs; 6 The Sonic 
       Circle; 6.1 On Diversity and Cultural Equality; 6.2 
       Tracing Our Ancestral Voices Back to Intuitive and 
       Rational Thinking; 6.3 Traditional Social Roles for Wind-
       Instrument Players; 6.4 The Sonic Circle; 6.5 Practicing 
       Through the Circle of Sounds; 6.6 Applying Sound Quality; 
       6.6.1 Absolute Sound Quality Assessment 
505 8  6.6.2 Sound Quality of the Instrument Variations6.6.3 
       Character Profile Suitability; 6.7 Case Study 1: The Stiff
       Cow Leads the Way; 6.8 Case Study 2: Doppelgaenger; 7 
       Sound Radiation, Recording, and Environment; 8 Epilogue; 
       References; Index 
520    This book presents a novel method of grafting musical wind
       instruments by exchanging an instrument's standard 
       mouthpiece with different tone generators. Using the 
       concrete example of the soprano saxophone, it describes 
       how, with six other tone generators, including brass, 
       double reed, and free reed mechanisms, the saxophone can 
       be extended to nearly every wind instrument category in 
       the von Hornbostel and Sachs classification system. The 
       book demonstrates how it is possible to play these 
       instrument variations with high proficiency, and describes
       the method of hyper-specialization, including acoustical 
       insights, conservatory training methods and the underlying
       philosophy. The latter is based on the cultural traditions
       of the different wind instrument prototypes and the Deep 
       Listening philosophy of cultivating internal diversity, 
       and approach that leads to a new level of wind instrument 
       virtuosity that offers great timbral variety combined with
       the flexibility of a regular acoustic wind instrument. 
588 0  Online resource; title from PDF title page (EBSCO, viewed 
       April 28, 2019). 
650  0 Saxophone|0http://id.loc.gov/authorities/subjects/
       sh85117829|xAcoustics.|0http://id.loc.gov/authorities/
       subjects/sh2002006100 
650  0 Saxophone mouthpieces.|0http://id.loc.gov/authorities/
       subjects/sh88000635 
650  0 Music|xAcoustics and physics.|0http://id.loc.gov/
       authorities/subjects/sh85088771 
655  4 Electronic books. 
776 08 |iPrinted edition:|z9783030150457. 
776 08 |iPrinted edition:|z9783030150471. 
776 08 |iPrinted edition:|z9783030150488. 
830  0 Current research in systematic musicology ;|0http://
       id.loc.gov/authorities/names/no2013054700|v6. 
990    SpringerLink|bSpringer English/International eBooks 2019 -
       Full Set|c2019-08-07|yNew collection 
       springerlink.ebooks2019|5OH1 
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