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LEADER 00000cam  2200373 i 4500 
001    28495351 
003    OCoLC 
005    19980521142246.0 
008    930628s1994    ctua     b    001 0 eng   
010    93005682 //r97 
015    GB94-16984 
019    30027588 
020    0300057393 
040    DLC|beng|erda|cDLC|dUKM|dOXB 
049    OXBB 
050    NE441.5.R44|bL35 1994 
100 1  Landau, David,|d1950-|0http://id.loc.gov/authorities/names
       /n97096771 
245 14 The Renaissance print, 1470-1550 /|cDavid Landau and Peter
       Parshall. 
264  1 New Haven :|bYale University Press,|c1994. 
300    xii, 433 pages :|billustrations (some color) ;|c30 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (p. 415-428) and 
       index. 
650  0 Prints, Renaissance.|0http://id.loc.gov/authorities/
       subjects/sh85106888 
650  0 Prints|y15th century.|0http://id.loc.gov/authorities/
       subjects/sh85106832 
650  0 Prints|y16th century.|0http://id.loc.gov/authorities/
       subjects/sh85106833 
653 0  Prints|aHistory 
653 0  Europe 
700 1  Parshall, Peter W.|0http://id.loc.gov/authorities/names/
       n85219810 
912    .b10206280JOHNC 
970 11 |lI|tFraming the Renaissance Print|p1 
970 11 |lII|tCraft Guilds, Workshops, and Supplies|p7 
970 12 |tPrintmakers and the Organized Crafts|p7 
970 12 |tThe Printmaker's Workshop and Its Necessities|p12 
970 12 |tPaper: The Printmaker's Ground|p15 
970 12 |tBlocks and Plates: The Printmaker's Matrix|p21 
970 12 |tPrintmaking Presses|p28 
970 12 |tProduction Rates, Costs, and Market Value|p30 
970 11 |lIII|tHow Prints Became Works of Art: The First 
       Generation|p33 
970 12 |tBook Illustration and Specialization in the Woodcut 
       Trade|p33 
970 12 |tAnton Koberger's Enterprise|p38 
970 12 |tAnton Kolb and Jacopo De' Barbari: Northern Enterprise 
       Abroad|p43 
970 12 |tNorthern Engraving and the Inventions of the Master ES
       |p46 
970 12 |tMartin Schongauer: His Innovation and His Imitators|p50 
970 12 |tIsrahel Van Meckenem: Entrepreneurial Printmaker and 
       Pirate|p56 
970 12 |tEarly Traces of Print Collecting|p64 
970 12 |tThe Development of a Tonal System|p65 
970 12 |tThe Impression as a Work of Art|p78 
970 12 |tPrints as Competitors of Paintings|p81 
970 12 |tThe Market|p91 
970 11 |lIV|tFrom Collaboration to Reproduction in Italy|p103 
970 12 |tThe Early Years|p104 
970 12 |tMarcantonio, Agostino Veneziano, and Marco Dente|p120 
970 12 |tTitian, Parmigianino, and Rosso and Their Collaboration 
       With Ugo Da Carpi, Caraglio, and Antonio Da Trento|p146 
970 12 |tThe Birth of the Reproductive Print|p162 
970 11 |lV|tThe Cultivation of the Woodcut in the North|p169 
970 12 |tThe Refinement of the Single-Leaf Woodcut: 1500-1512
       |p169 
970 12 |tThe First Masters|p170 
970 12 |tColor Printing|p179 
970 12 |tAltdorfer and the Miniature Woodcut|p202 
970 12 |tEmperor Maximilian's Woodcut Projects|p206 
970 12 |tMaximilian's Block Cutters Thereafter|p211 
970 12 |tCorner Presses and Their Public|p219 
970 12 |tMural Woodcuts and Their Proper Walls|p231 
970 12 |tPrints and Facts: The Specialized Markets|p237 
970 11 |lVI|tArtistic Experiment and the Collector's Print|p260 
970 12 |tThe Innovators and Their Followers|p261 
970 12 |tItalian Printmakers: Their Milieu and the Market|p284 
970 12 |tPrint Publishing in Italy|p298 
970 12 |tNorthern Engraving: The Refinement of the Art|p310 
970 12 |tEtching: The Failed Experiment|p323 
970 12 |tNorthern Printmakers: Their Milieu and the Market|p347 
970 01 |lVII|tEpilogue|p359 
970 11 |tAppendix: Currencies, Values, and Wages|p369 
970 01 |tAbbreviations|p372 
970 01 |tNotes to the Text|p373 
970 01 |tBibliography|p415 
970 01 |tIndex|p429 
971    |d19980821 
LOCATION CALL # STATUS MESSAGE
 BLUFFTON BOOK  NE441.5.R44 L35 1994    AVAILABLE  

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