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LEADER 00000cam  2200421 i 4500 
001    33897384 
003    OCoLC 
005    19970919075547.0 
008    951128s1996    ctua     b    001 0 eng   
010    95050606 
020    0300067925 (cloth) 
035    (Sirsi) o33897384 
035    m33897384 
035 01 78715 
040    DLC|beng|erda|cDLC|dC#P 
041 0  eng|hfre 
043    e-fr--- 
049    FINN 
050 00 NE647.6.I4|bM4413 1996 
082 00 769.944/09/034|220 
100 1  Melot, Michel.|0http://id.loc.gov/authorities/names/
       n79125849 
240 10 Estampe impressionniste.|lEnglish|0http://id.loc.gov/
       authorities/names/n95115099 
245 14 The impressionist print /|cMichel Melot ; translated from 
       the French by Caroline Beamish. 
264  1 New Haven [Conn.] :|bYale University Press,|c[1996] 
264  4 |c©1996 
300    296 pages :|billustrations (some color) ;|c32 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (p. 288-292) and 
       index. 
650  0 Prints, French.|0http://id.loc.gov/authorities/subjects/
       sh85106870 
650  0 Impressionism (Art)|zFrance.|0http://id.loc.gov/
       authorities/subjects/sh2008104318 
650  0 Prints|0http://id.loc.gov/authorities/subjects/sh85106831
       |zFrance|0http://id.loc.gov/authorities/names/n79006404
       |y19th century.|0http://id.loc.gov/authorities/subjects/
       sh2002012475 
650  0 Art and society|0http://id.loc.gov/authorities/subjects/
       sh85007975|zFrance|0http://id.loc.gov/authorities/names/
       n79006404|xHistory|y19th century.|0http://id.loc.gov/
       authorities/subjects/sh2002006167 
912    .b10423837JOHNC 
970 11 |l1|tIntroduction|p8 
970 11 |l2|tThe Impetus of Industry|p10 
970 11 |l3|tThe Persistence of the Print|p12 
970 11 |l4|tA Painter between two Worlds: Charles-Francois 
       Daubigny|p17 
970 11 |l5|tMechanical Reproduction|p21 
970 11 |l6|t1850-2: Delatre and Meryon|p25 
970 11 |l7|t1852-7: Bracquemond, Millet, Legros|p29 
970 11 |l8|tWhistler and Seymour Haden|p36 
970 11 |l9|tDegas's Self Portrait|p41 
970 11 |l10|t1859: The New Art Market|p46 
970 11 |l11|t1861: The Society of Etchers|p49 
970 11 |l12|tManet and the Etching|p52 
970 11 |l13|t1862: the Artist's Lithograph|p59 
970 11 |l14|tManet the Lithographer|p63 
970 11 |l15|t1863: the Salon des Refuses|p67 
970 11 |l16|tJongkind|p72 
970 11 |l17|tAppian and the School of Lyon|p77 
970 11 |l18|tConstantin Guys|p82 
970 11 |l19|tThe Eleventh Subscriber|p85 
970 11 |l20|tThe Discovery of Japan|p90 
970 11 |l21|tWar and Revolution|p98 
970 11 |l22|t1873: the Anvers Group|p102 
970 11 |l23|tThe Revival of the Artist's Lithograph|p108 
970 11 |l24|t1874: the first Impressionist Exhibition|p113 
970 11 |l25|tHenri Guerard|p118 
970 11 |l26|tLepic and the Mobile Etching|p123 
970 11 |l27|tDesboutin and De Nittis|p129 
970 11 |l28|tFelix Buhot and 'La belle epreuve'|p134 
970 11 |l29|tModern Book-Collecting|p139 
970 11 |l30|tDegas and his Group|p145 
970 11 |l31|tLe Jour et la Nuit|p149 
970 11 |l32|tPissarro and Degas: Industrial Progress|p156 
970 11 |l33|tThe Confection of Rarity|p160 
970 11 |l34|tThe Value of the Times|p165 
970 11 |l35|tThe Obliteration of the Object|p171 
970 11 |l36|tScenes from Private Life|p177 
970 11 |l37|t1888: Revival|p181 
970 11 |l38|tWhistler's Venetian Suite|p187 
970 11 |l39|t1883: the Role of the Rebels|p189 
970 11 |l40|t1886: the Last Impressionist Exhibition|p192 
970 11 |l41|tAfter Impressionism|p198 
970 11 |l42|t1889: the Society of Painter-Printmakers|p200 
970 11 |l43|tRodin|p203 
970 11 |l44|tSisley|p207 
970 11 |l45|tBerthe Morisot|p210 
970 11 |l46|tRenoir|p215 
970 11 |l47|tDegas's Women in the Bath|p220 
970 11 |l48|tMary Cassatt|p225 
970 11 |l49|tThe Arrival of Colour|p231 
970 11 |l50|tThe Monotypes of Degas|p236 
970 11 |l51|tOther Monotype Artists: Pissarro and Gauguin|p240 
970 11 |l52|tGauguin and Primitivism|p244 
970 11 |l53|tVan Gogh|p248 
970 11 |l54|tToulouse-Lautrec|p252 
970 11 |l55|tPissarro's Bathers|p256 
970 11 |l56|tThe Success of the Original Print|p260 
970 11 |l57|tVollard and the Impressionists|p263 
970 11 |l58|tThe Vogue for Colour Lithography|p267 
970 11 |l59|tForain, the last Impressionist|p271 
970 11 |l60|tConclusion|p274 
971    |d19980821 
LOCATION CALL # STATUS MESSAGE
 BLUFFTON BOOK  NE647.6.I4 M4413 1996    AVAILABLE  

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